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weekendpartyupdate:

Sam McKinniss, the quick and the dead, 2014, oil/canvas, 24 x 30 inches. 


Sam McKinniss and his ghost figure paintings are brilliant.

weekendpartyupdate:

Sam McKinniss, the quick and the dead, 2014, oil/canvas, 24 x 30 inches. 

Sam McKinniss and his ghost figure paintings are brilliant.

(via hankeatspaint)

ruinedchildhood:

Terrifying

OUR FLAT FINALLY HAS INTERNET THANK YOU UNIVERSE
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Got a feature/interview up on issue #26 of @pitch_zine. Check it out! http://pitchzine.com/LOUISE-ZHANG

Got a feature/interview up on issue #26 of @pitch_zine. Check it out!

http://pitchzine.com/LOUISE-ZHANG

A rad sticker on my laptop from a tin of lollies I bought when I visited China.

A rad sticker on my laptop from a tin of lollies I bought when I visited China.

There’s as many atoms in a single molecule of your DNA as there are stars in the typical galaxy. We are, each of us, a little universe.

— Neil deGrasse Tyson, Cosmos: A Spacetime Odyssey (Ep 2: Some of the Things that Molecules Do)

(via fuckyeahexistentialism)

claymahn:

Untitled - IV
Clay Mahn

claymahn:

Untitled - IV

Clay Mahn

CLAY MAHN

CLAY MAHN

UNTITLED (STUDIO FLOOR) 2012oil, gesso, collage, screws, nails and studio residue on board 182cm x 244cm 
PAUL WILLIAMS

UNTITLED (STUDIO FLOOR) 2012
oil, gesso, collage, screws, nails and studio residue on board
182cm x 244cm 

PAUL WILLIAMS

POP 2012balsa wood, watercolour, embroidery thread, balloons100 x 80 x 80cmAMY JOY WATSON

POP 2012
balsa wood, watercolour, embroidery thread, balloons
100 x 80 x 80cm

AMY JOY WATSON

spraggart: Hi, I am a practicing artist at the moment and I came across your work while looking for influences. I really love your paintings and sculptures they are so unique and interesting. As an artist close to finishing my degree and about to go out in to the world, how are you able to develop your own individual identity ?

Thank you. Sorry, I’m not sure I really quite grasp the question but I’ll try. Are you asking how to develop your own artistic practise/be a practising artist once out of art school? What I have found is a lot of people once they have finish there degree stop producing art and it saddens me to see that. Making art still and maintaining your involvement in the art world is important I believe if you’re serious about it. There’s things like applying for exhibitions, art prizes/awards, grants or going to galleries, getting involved in artist run initiatives (ARI’s) and supporting local ARI’s, getting a presence out there. You may discover its not for you and that another path whether creative or not is more appropriate. 

I began realising my practise more (I’m still figuring things out) during my third year of my undergraduate degree. Researching on what things fascinated me and critically engaging with these things really helped develop my practise. You learn new things all the time if you’re up for it. 

It’s not an easy road.

I guess what I’m trying to say is, stay involved and keep making.

Anonymous: what artists inspire you? whose work do you look at? also love your pieces! xx

I currently really like the work of Clay Mahn, Amy Watson, Nathan ProutyArturo Herrera, Paul WilliamsJennifer Mehigan, Tom Hancocks, the works of Tully Arnot and Charles Dennington particularly there collaborative work. I like a lot of peoples works that I have not listed.

➜ CLAY MAHN

An artist I really like currently is Clay Mahn

THEME BY PARTI